Incense burner, dated 1218, Leeum Samsung Museum of Art, Seoul (2015). Part of a digital interactive display showcasing traditional Korean art, using high-definition display and digital interactive solution systems to magnify details normally hidden to the human eye and to enable 360 degree rotation. These haptic features potentially open up new ways of interpreting the (digital and analog) object.
Frontispiece of Avatamsaka Sutra Chapter 6, dated 14th century, Leeum Samsung Museum of Art, Seoul (2015).
Erarta Museum, St. Petersburg, Russia (2016).
Museum of New Zealand Te Papa Tongarewa, Wellington (2019). Interactive digital installation of New Zealand's natural environment.
Audio history tours at Somerset House, London (2022).
Uffizi Galleries, Florence (2022).
An engaged visitor at the California Academy of Sciences, San Francisco (2023).
Inviting audience participation at the Asian Art Museum, San Francisco (2023).
Visitor exit survey digital kiosk. Institut du Monde Arabe, Paris (2023).
An excellent digital panel with photos and contextual description of the encased Chinese objects at the Musée de l'Homme in Paris (2023).
Personalized audio tour at the Mauritshuis Museum, The Hague (2024).
A playful experience trying on evening outfits through augmented reality at the "Fashioning San Francisco" exhibit, de Young Museum (2024).
Liverpool (2025).
Onsite digital reconstruction of Alexander Pope's eighteenth-century villa and garden, which were demolished and built over respectively, at his surviving grotto in Twickenham, England (2025).